The quilters made a strip of patchwork using their ruler's width as a cutting unit and we went from there, working intuitively, with very little measuring! Every boromono will be unique.
This is Jo's - including some beautiful fabrics collected on her travels (Indian silk) with Oakshott fabrics and batiks. Work in progress -
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Charlotte also used a lot of stripes, checks and shot cottons. The vivid green is a scrap of Japanese sashiko cotton. She thought about including some denim, but decided it would look better without.
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Jackie's boromono mixed a more traditional colour palette of blue and white, including an African wax batik that looked very much like traditional Japanese sarasa cotton (patterns adapted from Indian chintz).
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All three boromono together at the end of class.
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My boromono and some original vintage boromono -
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1 comment:
The boromono reminds me of the early Australian farmers' and drovers' Waggas. Many layers, many overlapping patches and much stitching, though the Japanese stitching was always more artistic. I like the look. And these lovely quilts are far from Waggas. Annavb
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