Showing posts with label early Renaissance costumes. Show all posts
Showing posts with label early Renaissance costumes. Show all posts

Tuesday, 3 July 2012

Newly acquired costuming books


I got a couple of books from 'The Old Bookshop' (Felicity J Warnes) at the weekend - 'The Queen's Servants' and 'The Kings Servants' , both by the wonderful Tudor Tailor.  I wish resources like these had been around when I was doing a lot of C15th and C16th costuming, like the outfit above, made for the Richard III festival at Middleham in 1985.  All I had to work from at the time was 'The Evolution of Fashion' - it was good but basic.  Not a book anyone could have used without some knowledge of pattern cutting, as the pattern pages give basic outline shapes only.  This was before Janet Arnold's 'Patterns of Fashion' series included the C16th (and then only the second half of the century) and there was very little available.  I used the patterns from 'The Evolution of Fashion' and took the details from various paintings of the time.  I still have a print of one of the panels of Hans Memling's St Ursula Shrine in Bruges, bought because it showed the back views of the dresses, not something seen often in paintings.

Felicity also had 'Seventeenth-Century Women's Dress Patterns: Book One', recently published by the V & A.  The detailed photos in this book are amazing and there are also X-rays of various garments in the collection.  The detail photos of Margaret Layton's ornately embroidered jacket were excellent.  As it is one of my favourite pieces at the V & A (now sadly not on permanent display to avoid further light damage), it made this book a must-have too, so I have just ordered it online - should have got it on Sunday!

Even though I haven't made any reproductions of costumes for these centuries lately, the cutting information is always useful.  The differences in construction of pre-machined garments can be very interesting and often provides solutions for contemporary clothing.

Sunday, 26 June 2011

Renaissance costuming


Puis qu'en oubli sui de vous, dous amis.
Vie amoureuse et joie a Dieu commant.
Mar vi le jour que m'amour en vous mis.
Puis qu'en oubli sui de vous, dous amis.

Mais ce tenray que je vous ay promis.
C'est que ja mais n'aray nul autre amant.
Puis qu'en oubli sui de vous, dous amis.
Vie amoureuse et joie a Dieu commant.

Also found with the photos in my last post were a couple of photos of costumes I made for the Middleham Ricardian anniversary festivals in 1983 and 1985. The one above was made for the 1985 festival and is me being Burgundian c. 1480, with a slight Italian influence on the sleeves. The fur collar was real. Naida is wearing my 1983 Italian (Florentine?) c.1490s court costume below. Both photographed in Aberystwyth in 1986. Wiki linkfor late C15th women's clothing. As usual, left click photo for more detail, a bit limited in these images as they are only scans from 6 x 4in prints. I've added a couple of music links, one to suit each costume :-) EDIT - photos now rescanned at 600 dpi, but I think this is the most costume detail I'll be able to extract from these prints.


Ecco la primavera
che 'l cor fa rallegrare;
temp'F da 'nnamorare
e star con lieta cera.

No' vegiam l'aria e 'l tempo
che pur chiama allegreza;
in questo vago tempo
ogni cosa ha vagheza.

L'erbe con gran frescheza
e fiori copron prati
e gli alberi adornati
sono in simil manera.

Why do we look we are both plotting something?