Thursday, 31 March 2011

Crafts for All, Bristol

This morning - packing the last things for Crafts for All.

I managed to get hold of both sashiko books, even though "The Ultimate Sashiko Sourcebook" reprint stock isn't due in until the end of April now, but copies are limited (only 19 left already), so if you want one, best see me early in the show.

I have also got "Japanese Taupe Quilt Blocks" back in stock - again, copies are limited at the moment, at least for this show.

"Fabulous Fat Quarter Bags" is reprinting, also due in at the end of April. For now, I have just 13 copies.

One of the difficulties with so many books is working out which ones people will want!

Tuesday, 29 March 2011

A sashiko door panel


Marie sent me photos of her finished door panel today. You can see an earlier photo by scrolling down my blog post from the Edinburgh Spring Quilt Festival.

I finally finished the door panel started at Denman College in February 2010. My daughter did not like the red fabric I chose for the backing at Ingleston so I had to think again and got some blue that I hope she likes because I am not taking it off.

Thanks for all your help and for fostering a love of Sashiko stitching.


The blue backing fabric is a better choice than the red we found at Ingliston (although that was lovely too). I like the way the stripes frame the sashiko design so well. The overall design is elegant and balanced, with the different sizes of kamon crests and other motifs in the circles. The long narrow shape is a format I like very much - an easy shape to display. Thanks for the photos!

Monday, 28 March 2011

Crafts for All, Bristol, next weekend


Friday, Saturday and Sunday, April 1st to 3rd, will be Crafts 4 All at Bristol - click the link for show information. I will be demoing on stand A76 (boxed in red in the plan above) and there will be a 'make and take' drop in workshop running all day, every day on the same stand. The Shonai sashiko stitch pattern on offer this time will probably be kawari kikkouzashi (tortoiseshell stitch variation), a very pretty and easy stitch worked on a grid and threaded through with a contrasting colour.

It looks like there are going to be quite a few things of interest to quilters at this multi craft show, including a display of some quilts by Sandie Lush.

Sunday, 27 March 2011

Fanoe quilt


My red and white quilt has been published in 'Kludemagazinet', the Danish Quilt Guild's magazine.

If you would like the instructions in English, it looks like they will appear in 'Fabrications' sometime next winter - so you have an excuse to start collecting red and white fabrics now.


The quilt is being raffled to raise funds for the Quilt Museum, York.  However, the quilt needs to 'earn it's keep' a little first.

Friday, 25 March 2011

Melbourne - out and about

During my Australia trip, I feel I've seen a lot of different places, whether during the drive to Noosa and Bundaberg, around Maleny (especially on the evening sight seeing tour before our farewell dinner) or the evening tour of Cairns. However, while in Melbourne I got to see what quilters often enjoy most - the local quilt shops! Heather kindly organised little mini tours for me during my time off (Monday and Tuesday daytimes). My only frustration was having little space in my baggage allowance for more than a few small pieces to add to my stash, but I found several 'must have' fat quarters which will be perfect for several projects I have planned. Check the website links for opening times, locations etc. if you are planning to visit.

Victorian Textiles are wholesalers, not retailers (maybe check first if you want to visit), but there was a nice bargain corner to the side of reception where items were available to the public... They are the makers of the Matilda's Own rulers range, their own top quality cutting mats (including a recycled mat) and the famous Matilda's Own battings, among other excellent items, and mega fabric/notions distributors. I got to see the rulers being manufactured, in giant laser cutting machines. Their 'Rainbows', strip packs similar to Bali Pops and from the same top quality Bali Batik fabrics, are also precision cut by another machine (non laser), which looks a bit like a giant paper trimmer, but for fabric. If you visit Australia, you'll find their products in patchwork shops all over the place. As I didn't take my own mat or ruler, I had already used their products a lot in my workshops, on loan from other quilters.


Chandlers Cottage is one of the most beautiful patchwork shops I've seen. Lisa, owner and designer of fabric ranges featuring Australian flowers & foliage, specialises in fabrics with a 'cultural influence' (as she explains on the website), including Japanese, Chinese and Indian designs. This means the shop is loaded with jsut the kind of beautiful fabrics I love to mix and match. Everything is beautifully coordinated, so you only need look at a fabric section and all the things that will work with each other are right in front of you.

With Lisa -


Goodies found - 'Sip'n'Sew' kit in winter colourway (present for quilting friend); fat quarter (FQ) of gold on black fabric with small kamon crest design, approx. 1in across (ideal for miniature quilt); FQ with tiny owls on cream (for a remake of 'Japanese Circles and Squares' - I have all the other fabrics but really wanted little owls on cream, not dark blue).


With Heather from Victorian Quilters and Mary Parrish, formerly of Chester Ps & Qs, now living in Melbourne. I didn't think I'd be able to meet up with Mary, but she and Heather had hatched a secret surprise! :-) Of course, knowing Mary's tastes for Japanese fabrics too, it was a bit predictable that she knew exactly where Chandler's Cottage is.


Another shop on our travels was Patchworks Unlimited. More fantastic fabrics.



The shop presented more colour coordinated selections, with the shelves on the right in the photo below being almost exclusively filled with Japanese fabrics (in the floor boxes and the first shelf row up) and batiks (top row of shelves. I have tried to be restrained on buying on my trip, as I mentioned earlier the baggage allowance issue, and most of my baggage allowance was taken up with my quilts, with very little clothing (being able to wash clothes at all my hosts helped me get by with very few items, plus the warm weather helped!) Once again, I would have loved to be able to bring more fabric home, but that will have to wait for another trip. I am planning the successor to my 'Fish and Chips' quilt, also in batiks, and found three that were just right. But I could only buy the minimum I really, really needed. :-( It there had been more time, I could have sent a package home.


Our final shop call was Tombo (dragonfly in Japanese). Their furniture was gorgeous - if I lived in Melbourne, I would love to have some of these pieces in my home. Must find somewhere in the UK with a similar range! They also stock vintage kimono, kimono fabrics, accessories etc. So of course I had to browse. Admittedly, their stock was rather too similar to much of mine (fabric bolts) and my personal collection (kimono) to get really carried away, plus kimono are rather too heavy for an impulse purchase, but they had a lot of really nice stuff. One of their best deals, IMHO, was a pack of assorted kimono fabrics (I think these would be recycled?). They also had a bargain basket of old furoshiki - I wish I'd bought the really faded one with the karakusa scrolls that I was looking at... (UPDATE - Ashelee from Tombo has just e mailed me and is going to send me this one! So at least no one else grabbed it yet! - another update - it arrived while I was away in Yorkshire - thanks very much!)


A wide, lime green obijime cord had caught my eye when I went in (only $7 too and weighed very little - flat, wide cords tend to be older ones) and I spotted a featherweight piece of meisen silk ikat with stylised asagao (morning glories) on it, which I bought as a souvenir of some lovely morning glories I'd seen that day, tumbling over a car park wall. Apparently, morning glory grows like a weed in Melbourne, but it is still so beautiful! My only other indulgence there was two metres of a hemp blend summer weight kimono fabric, again weighing very little, with a beautiful design of leaves dyed on it. I managed to squeeze my extra fabrics into my backpack as carry on luggage for the trip home!


Of course, I got to see quite a lot of Melbourne as Heather drove us round. It was the perfect end to a great trip. After a while, a lot of the architecture started to remind me of Victorian spa and seaside resorts here - think of the verandas and lace ironwork on the shops in Llandrindod Wells, Llandudno and Malvern, among other places. Here are some random photos, taken from the car.


I almost didn't mention the place where we had lunch on Tuesday - I had the cheese and Vegemite scones.

Thursday, 24 March 2011

Japanese Quilt Inspirations


One of the items in my mail when I got home was the advance copy of 'Japanese Quilt Inspirations'. Lovely, but I wish I could have had it with me in Australia! I took the large kimono quilt, 'Hanui, on my trip, which means it is the furthest travelled of any quilts in the book - I think Melbourne is the furthest any of my quilts have travelled.

Here's a picture of the book jacket. It has a matte finish, which I prefer, rather than gloss. The 'Kimono' quilt on the cover was longarm free hand quilted by Karen Florey - pieced by me of course.

Workshop in Melbourne

The Melbourne workshop was 'Super Strips' - some great patchworks made, as always.


Narrower strips (11/2in cut width) - the pastel one is a Honey Bun, the blue version strips were hand cut.


Three different versions of Super Strips using the same roll - and all different.


This turquoise, brown and pinky red roll made a beautiful patchwork (I saw the completed top the following night at my talk, but don't think I've got a photo of it yet).



'Dominique II' Moda Jelly Roll was used for this rich, warm patchwork.


Barbara Brackman's William Morris range, also by Moda, used for this one.


Rainbow batiks always work well.


Batik strip cuts are available in Australia from Victorian Textiles, the people who make the Matilda's Own batting and rulers (more about them in a future post). These packs, cut from Bali batiks, are more accurately cut than the Bali Pops packs.


So many lovely pieces made in the workshop!


The room we used had an interesting ceiling construction, with skylights in the roof, making it a bright space for working.

Workshops in Cairns - photos


In Cairns, we were down the road from Patchwork Friendsy for our workshops, in a larger air conditioned room at a local community centre. The space worked really well, with half the room for the sashiko workshop and talk last Friday and the whole room for the bag workshop on Saturday. The plants in the photo above were outside the neighbouring children's centre - I was excited to spot an Australian plant I had seen before, if only as a houseplant in the UK!


I started a version of the workshop panel myself. The fan panel is one I began as a teaching sample at Noosa the previous week. This fat quarter panel condenses the fan, the corner design (fundou - the other option is shippou, as on the larger furoshiki) and a kamon crest into less space, ideal for finishing as a large cushion or small wallhanging.


Patchwork Friendsy is in a gorgeous old 'Queenslander' house.


There are steps at the back up to the raised ground floor.


I saw a few of these cute 'milk churn' mailboxes around Maleny too.


Saturday's workshop was based on the Bollywood Handbag from '21 Sensational Patchwork Bags', but assembling the zip gusset using the same method for the Quilter's Suitcase from 'Fabulous Fat Quarter Bags'. This isn't a workshop on my main workshop list but it worked so well, I think I'll be adding it soon. The bag panels were made and quilted in advance at Patchwork Friendsy, but if I run it as a UK workshop, quilters will need to prepare their own panels in advance (unless we do it as a 2 day workshop, which is a possibility...) Colleen, the owner of Patchwork Friendzy, is wearing the red top in the centre of the photo below.


Me with some of the quilters.


The bag! I made one too, as a demo piece. It will be finished with bias binding. The other quilters got binding strips to match the handles, but I'll bind mine with some strips left over from my latest book quilts - predictably, there was a run on the strip fabric, as it was a pretty design of temari balls with metallic highlights.


This sashiko panel is shown in an earlier photo from Friday's workshop and was finished on Saturday afternoon. It is a monochrome version of the one I'm stitching. Do you like the detail on the noshi cords?