Friday, 31 December 2010

Happy New Year!


Finished wiring the Christmas dollshouse today, for (belated) delivery tomorrow. There was too much snow to deliver my Christmas presents. The photo above shows the living room lit only by its own lights.

The framed "God Jul cross stitch" is a photo of one I designed about 15 years ago.

Talks & workshops mileage rate increase - bookings for 2011 and beyond

Sorry to be looking forward to the New Year with a mileage rate increase, but with the fuel duty and VAT rises about to add to the cost of petrol again, I will have to put up the mileage rate to 38p per mile for talks & workshops.

"But if the nation's 34 million motorists are pushed too far they will drive less and the Treasury could actually see their tax take fall."

Quite true! The amount of fuel duty the Treasury gets out of me in relation to the number of talks and workshops has actually fallen, because I'm arranging more and more workshops and talks into mini tours, siginificantly reducing the mileage for the groups and shops involved.

A few of the slots available next year include -

Friday 8th and Saturday 9th April 2011 - if you are between Newport, Shropshire and Bridlington, Yorkshire.

April 26th & 27th - anywhere en route to Kent/Sussex/Surrey or in that area, plus dates immediately after the May Bank Holiday.

Scotland - Glasgow/Edinburgh axis and around before 4th & 5th June (sorry, no dates afterwards, as I'll have to head straight home to go to Germany by midweek).

Dates on either side of Saturday July 9th, when I'm giving a talk in Derbyshire.

Back in the south east again in September - in Reading on 15th & 16th and at the Quilt Room, Dorking, on Saturday 17th, so dates available on either side - anywhere off the M54/M40 before, Kent/Sussex/Surrey preferably after.

Tuesday, 28 December 2010

V & A checkerboard quilt


Remember this? I finished the top over Christmas.

The edge is all on the bias, so I machined around the quilt to stabilise it. Rather than a binding, I will face the edge I think, so it will have a similar appearance to the turned in edge on the original. Facing it will keep the edge for going wavy, so it looks better when hung up - not an issue the maker of the original quilt would have needed to consider.

The original is quilted in concentric squares. I wanted to quilt mine in diagonal zigzag waves, but have decided to do something closer to the original design after all, quilting in the ditch, plus vertically and horizontally through the centres of the squares, then (maybe) a single square in each square created. Wadding/batting will probably be 80/20 cotton poly.

I will keep the wave quilting for this - a jelly roll version of the Dryslwyn quilt from Jen Jones' collection. It was quilted in waves and I can imagine the zigzags working well going around the centre. There is a photo of the original on page 37 of Janet Rae's "Quilts of the British Isles". It probably has a white on blue mini print in real life but in the photo it has always looked like polka dots (to me!), so I wanted to use polka dots for mine. The jelly roll is Moda's "Collection for a Cause - Charity", with the plain yellow and cream strips removed and replaced with pieces from another Moda range, cut from a charm pack (the light blues). The original quilt looks like it was made from fabric samples, as many of the prints are repeated in different colourways - often only slightly different - so it is a good subject for a jelly roll, which always have pattern repeats in more than one colourway. Once again, there are various symmetries going on with the patch arrangement. "Charity" includes floral stripes, similar to those in the original quilt but overall there are more colour similarities than print pattern. Because the jelly roll pieces are smaller than those in the original, my quilt will have more patchwork rounds - it is only about half way there.

Sunday, 26 December 2010

To sash or not to sash - that is today's question!

There are a lot of blocks I made for "Japanese Taupe Quilt Blocks" that haven't been assembled into quilt tops yet. I plan to make sampler quilts from them, as I did with the blocks from "Japanese Quilt Blocks". The brown blocks (below) were made with the idea of a simple checkerboard sampler quilt, alternating patchwork and applique blocks in a checkerboard without sashing, as I did with the sashiko and patchwork blocks in the "Kasuri Sampler" quilt from the previous book. I am going to add a striped border too, using my favourite tsumugi striped cotton. The blocks are shown together in the diagram below.


The dark blue fabric in the kasuri quilt is the same dark blue tsumugi cotton in the sashiko blocks and the patchwork blocks, woven with a black warp and blue weft. Although the new quilt is closely coordinated, there are many more fabrics used. It might look better if I add sashing strips between the blocks, like this (mockup) -


The woven sashing effect is one of my favourites. I used it in the "Kamon Sampler" below and have used it again in the Kimono quilt on the cover of the forthcoming "Japanese Quilt Inspirations".


If I use a wide stripe instead of the ombre shaded fabric above, it should be possible to achieve a slightly 3-dimensional effect to the weave, like with the more convetionally pieced sashing on this sashiko sampler.


The tsumugi stripe I would use for the sashing is the same one used in the border on the "Hakone Yosegi Sampler" below.


What do you think? I could get the quilt basted and work on it during my trip to Australia too, handquilting of course.

Saturday, 25 December 2010

Making the Christmas dollshouse


I won the house on eBay last year. Originally I was looking for a kit I could customise, but found a ready built house that was just right. It is handmade and not from a kit.


The idea was to make a Swedish Christmas dollshouse, pretty much as Algot's old house near Lulea could have looked at Christmas.



The dollshouse proportions are much smaller, with just three rooms, 8in, 7 1/2in and 8in wide - (from left) a bedroom, living room and kitchen.


Furniture was customised from commercially made dolls house furniture and kits. Some of it was originally bought for other house projects, where it didn't work well in the rooms. The accessories had to be glued in place, as this was the only way to make them stand or drape realisitically.

The curtain poles are bamboo barbecue skewers painted gold, with metal jump rings for curtain rings (glued in place) and metal beads at the ends. The curtains were starched, pleated and glued to the poles. The rugs are offcuts of striped Japanese cotton.

The Swedish bench was made using the frame from the House of Miniatures Chippendale sofa kit, with turned legs by Houseworks replacing the straight leg frame supplied with the kit. The "carving" is a brass pressing painted. I painted the bench green at first but it didn't look right.


Sofa cushions made from faux applique fabric.


The Christmas tree was bought undecorated and most of the 'ornaments' are beads. It has 24 miniature lights. The tinsel is a scrapbooking trim. The star was made from an enamelled metal filigree from the Button Lady, backed with thin gold painted card.


The stove was unfinished wood and painted to look like enamel (I hope), using an acrylic enamel. The kitchenware is assembled from a Chrysnbon kit (plastic, a bit like Airfix kits) and painted with traditional enamels. These give a better finish than the acrylic enamel, as they dry more slowly. The miniature turkey and other food was handmade by various dolls house suppliers - very specialised work and it would have been a lot more outlay on Fimo and other materials to try to do them myself.


Kitchen sink with potatoes in the "water" (pva glue, now dried clear) -



The angels on top of the dresser are plastic figures I "gilded with acrylic paint.


The "sweets" are beads and the mini Christmas tree is made out of scrapbooking tree laser cutouts. The runner is braid. Candle holder is made from a flat metal bead & dolls house candle.


These "candles" and their holder are made from beads and a painted wooden disk. The heavy brass goblets have been hoarded over many years from the fronts of Kirschberry wine bottles.


I made hangers for the Christmas cards from ribbon, thread and metal beads -


Unfortunately the bed sheet on the larger bed was glued to the mattress and couldn't be removed - or another added easily. I unpicked the unfilled "duvet cover" that came with the bed and remade it into two duvets, adding the miniature check. I tried shaping the duvet using a layer of tinfoil (tip from a miniature quilt website) but ordinary tinfoil isn't strong enough, so I had to glue them on. The sweater on the bed (being wrapped) is made from an old sock. The wrapped present on the end of the bed has an empty sewing machine needle packet inside. The painted cupboard is a very inexpensive piece by Eye Candy which looks very much like old Scandinavian country furniture - cupboard door paintings.


Filling miniature frames & photo albums was fun. It's the kind of detail that makes a dollshouse more personal.


The wall decoration is made from Swedish Christmas ribbon, tiny bells, a cocktail stick and two metal jewllery pieces, assembled by sewing & with superglue for the stars. The mirrors were made from mirrored acrylic and metal frames. The hearts wallhanging on the side of the bedroom cupboard is another ribbon, with a metal Christmas tree pendant.


There are still a few more things to add...

Friday, 24 December 2010

'Twas the night before Christmas...

Here's a slideshow of a little house in the far north where everything is almost ready for Christmas - enjoy!


Merry Christmas!


The view from my window, as it will look tomorrow morning. Have a lovely Christmas day, wherever you are.

Thursday, 23 December 2010

Quilt panel twin


I thought I'd seen the panel I used in the centre of my medallion squares patchwork somewhere before - it's a reproduction of the centre of the Fife Coverlet in the Quilt Museum's collection at York.

Wednesday, 22 December 2010

Fluff in the snow


Fluff is not keen on the snow but ventured out with me when I took a photo of the garden.


She needed to update her signpost - social networking, feline style?


I've found out the culprit who breaks bits off the honeysuckle - by biting the stalk off!

What's your favourite quilt block?

Planning something new with one of my editors and we would like to know -

"What's your favourite quilt block?"

You can have more than one! Pass the word on and we'll see what kind of responses we get. You can either leave a reply via a comment or e mail me via the contact details on my website (link at top right).

Red & White Quilt exhibit in New York & my Fanoe quilt


Mary Jenkins on her "Little Welsh Quilts and Other Traditions" blog (see my blog list) mentions an upcoming exhibition of red and white quilts in New York. Lucky thing is going to see it too! Click the link to read her blog post and get links to exhibition info too -

Red & White Quilts on Mary's blog

Red and white is such a fresh combination for quilts. The old quilts used the colourfast Turkey Red dye - we have to be a bit more careful with our reds nowadays, as they aren't always colourfast.

The quilt in the photo above is my Fanoe quilt, which will be in the Danish quilt guild's magazine "Kludemagasinet" next year. It was longarm pantograph quilted by Pam Ablett at The Quilter's Trading Post, Whitchurch.

Tuesday, 21 December 2010

Quoted on the BBC again

http://www.bbc.co.uk/news/uk-wales-12045774

BBC Wales asked me to do a little bit for them this morning (7a.m.!) Rotten phone line at this end, apparently OK there.

It's for events like this that quilters make sure they have plenty of fabric in their stash...

I have been waiting for longer than usual for several items on order, including fabric for a new book proposal that I've submitted. The idea was for me to send in swatches of fabrics to the commissioning editor before Christmas... but the last of them didn't arrive till yesterday. The Christmas post has been slower than ever due to the weather. I have resorted to sending photos of the swatches by e mail instead.

In some ways, I am lucky because I can switch over to work that needs to be done in my workroom when needed, but I did have to cancel three bookings earlier in the month due to the travel chaos in the first lot of snow and a day workshop at the end of last month near Shaftesbury turned into a three day trip - it took me seven and a half hours to drive 250 miles to get there and, at one point, traffic ground to a halt on the M4. The cancelled events (hopefully) will be rescheduled for the spring.

But there's only so much work I can do like this before I need to get out! It's all "futures" too.

I've also got extra copies of books that were ordered for the cancelled events (that have to be paid for), charm packs for the "99 Treasures" quilts in stock and prepared for these events (haven't had time to do these for other shows all year!) and extra tsumugi cotton bolts to replenish the kits. Having extra stock in hand but being unable to get to the booked events is not good for cashflow for small businesses - as outlined in the BBC article.

As we have had two very snowy sessions in the space of one month, I wonder what the New Year holds. I really hope that either we won't have more big snow events soon or that (somehow) the transport network will get sorted out. My diary for the second half of January is very busy, with the patchwork workshops at Bridlington, the Nantwich fabric sale on January 23rd (more information about this later), Crafts 4 Crafters at Exeter at the end of the month and then a residential sashiko course at Denman College starting on January 31st.

Trying to get the road gritted

I don't expect Mount Zion to be gritted, as its a cul-de-sac (though it would be useful to have a grit bin we could use for the juction), but Pool Road, the road into the village and the only way out from here, hasn't been gritted either. Most of the residential roads in the village (around the council estate) have been gritted. Brymbo is a very hilly village and the only way out of here is down steep slopes.

I tried to find out what is going on by phoning Wrexham Council but they couldn't give me an answer and said they would phone back.

In the meantime, I searched their website for gritting routes. Looks like Pool Road is on Gritting Route No. 2!


Which bit of Pool Road do they think they are gritting? I'm puzzled.

We are going to have to start eating the Christmas food early - the freezer is getting very low on "basics" - unless I can get out.

EDIT - very slight thaw at lunchtime, so made a trip to the supermarket while I could! The ice on the main road turned to slush for a short time.

Monday, 20 December 2010

Quilt in progress - giving in to more checkerboard blocks!

After trying to stick with the idea of only using one Honey Bun roll (forty 1 1/2in wide strips cut across the fabric) to make the sixteen patch checkerboards for the quilt I wrote about yesterday, I decided I liked the look of them too much to skimp on using them on the outer sections of the quilt. So I am part of the way through making another twenty four, using thirty two strips cut across thin eighths - this time the fabrics at Collections for a Cause "Hope", which coordinates well with the strips I used for the first sixty two blocks. I've taken out the mainly red prints from the selection, and added more mid indigo blues.

Amuse Museum, Tokyo - interesting exhibitions

Click here to go to the website of this Asakusa museum, via info on the Unravelling blog (great blog - I'm adding it to my list!)

Being right next door to the temple, this museum will be very easy to find.

I just wish I could fit in a trip to Japan to see this! The tattsuke exhibition would be so interesting.

Sunday, 19 December 2010

Quilt in progress and snow


This is the centre of a quilt I'm working on at the moment, photo taken a few minutes ago outside.

It is a (simplified) version of a quilt I saw at the V & A's exhibition in March. This is Sally Bramald's photo of the original.


The colour in the big V & A book isn't very good - the quilt looks very sludgy, whereas the V & A Diary photo brings out the colours much more, perhaps a little too saturated. Sally's photo gives a more accurate colour image.

My version uses charm pack squares (cut down slightly) combined with a Honey Bun - forty 11/2in strips
in a roll. I also left out the blocks with the really tiny squares. I wanted to see if I could make a version of it just from charm packs & a honey bun, so I haven't got all the tiny squares - the blocks with the ones that look about 1/2in finished have been replaced with unpieced but busy squares, but I have got most of the sixteen patch blocks. I really wanted 84, but the honey bun would only make 64 and I didn't want to buy another, so I've substituted some of the sixteen patches with solid squares. But yes, there are 64 little sixteen patches done and to be included - if these had been cut as individual squares, there would have been 1024 of them...!

I thought it would be best to piece everything apart from the very centre in strips (diagonal ones of course) but I've done three rounds working outwards from the centre. When you start looking closer at that quilt, there is a lot of symmetry in certain areas, groups of red patches etc. It is much easier to get my head round the layout working outwards from the centre, as I can arrange and trim exactly what's going into each round as I make it and get the symmetry looking OK, but the minute I have anything on a 45-degree angle I find it hard to work out what's where - think I'll turn the image of the original on a 45 degree angle to make it easier. "On point" does something peculiar to my brain! I'm almost at the more random sections now, trimming the charm squares to size as I go too, just using an A3 mat, much easier than having to arrange larger pieces of fabric.

The panel in the centre of my version wasn't quite large enough, so I didn't turn it around for the octagonal effect - maybe I should go back and change it, adding some strip borders. What do you think? Opinions quickly please - it wouldn't be too difficult to unpick the centre and alter it at this stage, but will be more of a hassle once the top is finished.

EDIT - I checked the size of the original and worked out that the squares are just a fraction larger than 5 3/4in quilted, so they were probably 6in unquilted. That makes the tiny squares in the blocks I left out 1/2in approx., with 1/2in borders, while the squares in the 16 patch checkerboards are approx. 1 1/2in in the original - mine are 1in. So my quilt will be approx. 2/3 of the original size.


Saturday, 18 December 2010

A fantastic dollshouse on eBay...


I didn't bid on this, but the design is great - "Clearview" modernist dollshouse -


The auction ended at £361.60. A bit out of my price range and logistically out of range for collection too (Colchester), especially with all this snow! Someone has won a beautiful miniature.


It would have made a great art/craft/quilt gallery project...

More photos on the designer's website - click here for interior photos.

A gallery with a similar design would benefit from different window arrangements and perhaps no balcony, but could be a lot of fun to make...